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SirReadaLot.org


We Review the Best of the Latest Books

ISSN 1934-6557

March 2005, Issue #71

Guide to this issue's Contents

April 2004May 2004June 2004July 2004August 2004September 2004October 2004November 2004December 2004January 2005February 2005

Page Contents: Biographies: Self-Searching: a Father, a Daughter, Growing Up in the Nation of Islam, Slave Narrative, Arts: Introduction to the Humanities, April Gornik, Introduction to the Visual Arts, The Art of Agnes Martin, Maria Martinez, and Florence Pierce, Garafola on Dance, Political Art of Bob Dylan, Blues Women, Business: Business Unusual? Personal Finance, Morality for Business, Category Killers: How Big Retailers May Grow to Extinction, Making Microsoft Office Excel 2003 Work, A Political-Economic Analysis of African Americans Food: No-Salt, Lowest-Sodium Meals, Education: Reading College-Style, Writing College Style, Multiple Intelligences Revisited,  Speak Arabic, Phenomenal Family Life, Life Skills for Health and HappinessYoga for Back and Neck Pain, Mother-Daughter Wisdom, The Obesity Disease, Effective Communication, Useful Social Psychology, The Male Biological Clock, Surviving Childhood, History:  Kosovo, Mass Murder and the Holocaust, Thought Worlds of the Iroquois/Huron, White House Biographies, Pre-Civil War Story, Maine 's Historic Midcoast Waterways, Crafts & Hobbies: Paper Crafts, Gardening: Perennials, A How-to Around the House, Law:  Criminal Justice, The Herostratos Syndrome, Criminal Behavior, Want to be a Diplomat?, Diplomatic Handbook, The Trial That Led to the End of Human Slavery, Mysteries: A Story of Chance, Fate, and Numbers, The Occult Regina Cutter, Tokyo Mystery, Society: A Book Club That Changed America, Transgender Rights? Architecture: Bernard Maybeck at Principia College, Science: Biotechnology, Biogeography of the Rainforest, Protecting Ourselves From Terror?  Science Fictions: A Galactic Civilization Religion: Martin Luther's Basic Theological Writings, Huston Smith on the Spiritual Life, Classic Themes In Theology, How Islamic Law Treats Non-Muslims, Pagan Renaissance, A Psychic's Insights, How Synoptic is Q?

 

African-American / Biographies & Memoirs / Religion & Spirituality

Little X: Growing Up in the Nation of Islam by Sonsyrea Tate (The University of Tennessee Press)
Since the 1930s, the Nation of Islam has been one of the foremost all-black organizations in the United States . Yet for most people outside the movement, it has been known only through media portrayals of the controversial leaders such as Malcolm X and Louis Farrakhan. The written history of the Nation of Islam has virtually ignored the transitional period of the 1970s, when Elijah Muhammad's son transformed the movement into one more in keeping with orthodox Islam.

As a young girl, author Sonsyrea Tate, now an award-winning journalist, was one of tens of thousands of ‘Little X's,’ the children raised within the Nation of Islam as future foot soldiers of black unity. Her book, Little X, gives readers a different picture – she has fashioned a female coming-of-age autobiography that unveils life in the Black Muslim sect. Tate shows us how rank-and-file members of the Nation lived, how their dress, organizations, and dietary restrictions set them apart even within Islam. She begins with a brief survey of her grandparents' involvement with Elijah Muhammad's Nation of Islam and discusses her struggle against many of the strict regulations.

With the 1975 death of their leader, Elijah Muhammad, Tate's family and other followers were set adrift, trying to find a place in orthodox Islam, seeking ways to juxtapose being Muslim and being African-American. Tate began attending public school, wearing street clothes and enjoying new freedoms, though always with more restrictions than her classmates (and her male relatives). As she details her adolescence, moving from the rigors of the Black Muslim school to the laissez-faire world of public education, we see a young woman standing with one foot in a misunderstood, restrictive parochial world, and one foot about to set down in the alluringly wide-open, but dangerous, secular world. She chronicles her struggle within a non-Muslim world (especially regarding the treatment of women), and, finally, her break from the Muslim faith.

Her grandparents joined the Nation of Islam in 1952, which makes Sonsyrea Tate a third-generation member of the Nation. In this fascinating glimpse at life behind the scenes in an NOI family, Tate tells of going to a Muslim school, of the changes in the Nation after the death of its leader, Elijah Muhammad, and of the tensions within her family after her mother converted to Orthodox Islam. For all that, it is a profoundly interesting account of growing up in a different culture, in the end Tate's is a quintessentially American story of a child coming of age and finding her own path. – Amazon.com

Instead of writing a bitter condemnation of the Nation of Islam, Tate has adroitly described its purpose as well as its shortcomings. – USA Today

A temperate and sympathetic treatment of an African-American family's religious evolution. – Publishers Weekly

Tate's loving but clear-eyed memoir is a young woman's answer to The Autobiography of Malcolm X. She tells her truth, tells it straight, and lays it all out for us. – Mohja Kahf, University of Arkansas at Fayetteville

A compelling story. It provides an honest, inside view of one of America's most controversial religious movements and perceptively points to social tensions of race, gender and religious identity. – Kirkus Reviews

Extremely valuable. Recent literature ... is interested almost exclusively in male leaders. Tate's book provides a new perspective. I have used the book in a number of teaching contexts to very good results. – Judith Weisenfeld, Vassar College

For the Muslim who has a child that went through these same experiences, this may be an excellent opportunity to draw their child into discussion as to what still bothers them most about their past upbringing.... This book may be the opportunity they've been waiting for to at least reach out to them. – Muslim Journal

Little X is a new classic, selected by the American Library Association as a Best Books for Young Adults, and the New York Library's Best Books for the Teen. USA Today recommended it as literature that helps diversify primary education. College and university professors have found Little X a favorite text for their students in African American Religious Studies, Women in Religion, African American Women Studies and Islam in America courses.

In Little X, Tate shows us the Nation of Islam from the inside: it is the compelling account of one woman's cultural identity, family unity and spiritual fulfillment in a predominantly white and Christian America. Tate offers useful insights into life inside a movement that most readers – including many African American readers – don't understand.

African Americans / Biographies & Memoirs

The Blind African Slave: Or Memoirs of Boyrereau Brinch, Nicknamed Jeffrey Brace by Jeffrey Brace, edited with an introduction by Kari J. Winter (Wisconsin Studies in Autobiography Series: University of Wisconsin Press ) is a reissue of a slave narrative.

Above all, it is my anxious wish that this simple narrative may be the means of opening the hearts of those who hold slaves and move them to consent to give them the freedom which they themselves enjoy, and which all mankind have an equal right to possess. – Jeffrey Brace

The Blind African Slave recounts the life of Jeffrey Brace (Boyrereau Brinch), who was born in West Africa around 1742. Captured by slave traders at the age of sixteen, Brace was transported to Barbados , where he experienced trauma of slave-breaking and was sold to a New England ship captain. After fighting as an enslaved sailor for two years in the Seven Years War, Brace was taken to New Haven , Connecticut , and sold to a Yankee Puritan.

Sixteen years later in New England , Brace enlisted in the Continental Army in hopes of winning his manumission. After five years of military service, he was honorably discharged and freed from slavery. As a free man, he chose in 1784 to move to Vermont , the first state to make slavery illegal. There, he met and married an African woman, bought a farm, and raised a family. Although literate, he was blind when he decided to publish his life story, which he narrated to a white antislavery lawyer, Benjamin Prentiss, who published it in 1810. Upon his death in 1827, Brace was a well-respected abolitionist with legendary powers of memory.

In this first new edition since 1810, Kari J. Winter, associate professor of American Studies at the State University of New York at Buffalo , provides a historical introduction, annotations, and original documents that verify and supplement our knowledge of Brace's life and times.

Unusual among slave narratives...[covers a] sweeping time period & geography, including a rare look at slavery in New England . – The Buffalo News
A unique narrative.... Winter should be congratulated for reconstructing Brace's life, the circumstances of the publication of The Blind African Slave, and the strange career of Benjamin F. Prentiss. – Ira Berlin, author of Generations of Captivity: A History of African-American Slaves

Kari Winter's research rescues Brace from historical anonymity and places The Blind African Slave into the canon of early African American autobiography. – William L. Andrews, General Editor

[The Blind African Slave] will certainly be important to specialists in the field of transatlantic Black studies. – Vincent Carretta, editor of The Interesting Narrative and Other Writings by Olaudah Equiano

Fascinating and unique, The Blind African Slave, impressive in the understanding of purpose, drive and action taken by the slave, makes real and concrete the complexities of life as a slave and brings this particular individual’s story back to life for a new generation of readers.

Arts & Photography / Humanities

Perceiving the Arts: An Introduction to the Humanities (8th Edition) by Dennis J. Sporre (Pearson Prentice Hall) is a concise introduction to understanding and appreciating art and literature, focusing on terminology and general concepts in the visual arts, music, writing, theater, dance, and architecture.

If we citizens do not support our artists, then we sacrifice our imagination on the altar of crude reality and we end up believing in nothing and having worthless dreams. – Yann Martel, Life of Pi

Perceiving the Arts has a specific and limited purpose: to provide an introductory, technical, and respondent-related reference to the arts and literature. Its audience comprises individuals who have little or no knowledge of the arts; it seeks to give those readers touchstones concerning what to look and listen for in works of art and litera­ture. Perceiving the Arts shows students how to build on cognitive/perceptual skills they already have to develop discriminating artistic perception for approaching, analyzing, and evaluating works of art – and to think critically about how their relationship with the arts might enrich their quality of life. Those with more background can read it rapidly, pausing to fill in the holes in their understanding. Those who have no or little experience with the arts can spend the necessary time memorizing. Thus, classroom time can utilize expanded illustration, discussion, analysis, and experience of actual works.

Attempting to cover so much in such a short text presents challenges because of the complexity of most artistic terminology and concepts. Many characteristics of the arts change as historical periods and styles change. Further, most artists do not paint, sculpt, compose, or write to neat, fixed formulas. Nonetheless, understanding begins with generalities, and the treatment of definitions and concepts in this text remains at that basic level.

One of the ways we can approach the arts is with the questions of what we can see and hear and read. Perceiving the Arts takes that approach and relates the arts to the perceptual process. To do that, we can ask four questions about an artwork or a work of literature: (1) What is it? (a formal response); (2) How is it put together? (a technical response); (3) How does it appeal to the senses? (an experiential response); and (4) What does it mean? (a contextual and personal response). These questions constitute a comfortable springboard for approaching the arts at a basic level.

Vocabulary isolates characteristics of what to see and what to hear in individual works of art and helps focus perceptions and responses. Knowing the difference between polyphony and homophony, between a suite and a concerto, between prints and paintings, and between fiction and poetry is as important as knowing the difference between baroque and romantic, iconoclasm and cubism.

This eighth edition contains obvious as well as subtle changes. To assist readers in approaching unfamiliar works of art, a feature called "A Question to Ask" appears several times in each chapter. Like the kinds of questions we ask new acquaintances in casual social settings, these questions provide a means of approaching a work of art in order to begin to know it more fully. A second feature, "A Question of' Style," replaces the feature "A Matter of Style" from the previous edition. The change replaces a full-page exposition on one style with several short pieces covering several styles and related to illustrations in the text. This allows a wider introduction to artistic styles than previously possible and does so with less interruption to the flow of the text.

In addition, Chapter 11 moves to the Introduction, where it appeared in previous editions. Chapter 2 expands by additional text and illustrations in printmaking and photography. Chapter 4, Music, has several changes to the text and organization that should make the material more accessible. Chapter 7, Dance, has new text and illustrations as well. Chapter 10 comprises a major revision and reorganization that should enhance appeal, readability, and understanding. The Glossary has been expanded significantly and takes a unique step by providing pronunciation for every term.

Perceiving the Arts illustrates the depth of approachability provided by our current perceptual skills. It offers readers a foundation for understanding the humanities, including the visual arts, architecture, the performing arts, and literature, giving basic information about each of the arts disciplines – drawing, painting, printmaking, photography, sculpture, architecture, music, theatre, dance, cinema, landscape architecture, and literature. Perceiving the Arts helps readers discover what to look and listen for in the arts.

As part of the Portfolio series of concise textbooks, this one offers the flexibility to use additional materials to enhance courses – as instructors use Perceiving the Arts, they can set up their portfolio by selecting free resources to accompany it. This well illustrated, basic handbook provides a unique introduction to aesthetic perception. Through this study, readers develop the understanding and confidence to make it more likely they will study and involve them­selves with the arts over a lifetime. The book should not affect readers' or instructors' personal philosophies about the arts and literature.

Arts & Photography

April Gornik: Paintings and Drawings by Neuberger Museum of Art and April Gornik, with an essay by Donald Kuspit (Hudson Hills Press) is the first comprehensive overview of April Gornik’s paintings and drawings.

For more than 20 years, renowned artist April Gornik's ethereal landscapes have combined a devotion to light with the intellectual curiosity to explore and the skill to portray it. Influenced by predecessors both in America and abroad, from the Luminists to Vermeer, Gornik's canvases – panoramic, majestic, richly colored – convey what critic Donald Kuspit calls ‘an original, fresh experience of nature,’ and what Gornik herself calls ‘an aesthetic fiction:’ a constructed view of nature addressing the philosophical and aesthetic needs of our time. April Gornik presents a visual history of Gornik's work and tracks the development of her signature style.

Gornik assembles compositions surreal in their presence, yet moving in their exceptional spirituality. Using painting to reach what she finds spiritually and psychologically compelling, Gornik works to create an art not only of visual appeal, but one which, as she recounts in the volume's interview with curator Dede Young, engages the mind.

In addition to the sheer beauty of her landscapes, there are both a distinct physicality and a psychological presence in her paintings and drawings that set them apart from most work created in this genre today. They intrigue, beguile, and bring the viewer into a dialogue with nature, one that is often unexpected. Her landscape paintings and drawings are luminous, mysterious, and profoundly expressive. Some images come from her dreams; some are inspired by literary sources; others, although drawn from direct experience of a specific place, are reworked and reinterpreted, and may no longer resemble a particular location – they have become environments generated by the artist's imagination.

In April Gornik, working closely with the artist in the selection process for the exhibition, curator Young brings together the major paintings and drawings created between 1980 and the present, paintings that show the broad spectrum of Gornik's approach to the natural world, from grand vistas and sweeping horizons to the intimate architecture of backlit trees.

Donald Kuspit, one of America's most distinguished art critics, in his essay, Fictional Freedom: April Gornik's Landscapes, places her work into an art-historical context –  not simply observing the affinity with such early landscape artists as the American Luminists, but also examining attributes of her paintings that relate to European artists from Caravaggio to J. M. W. Turner.

... We offer our heartfelt thanks and congratulate [Gornik] on a monumental body of work that has made her one of the most recognized and significant artists of our time. – Lucinda H. Gedeon, Director, Neuberger Museum of Art

This comprehensive volume is richly illustrated, bringing together and elucidating Gornik’s work in a way that has not been done before, thanks largely to Kuspit’s essay, which is insightful and poetic. April Gornik is published in conjunction with the exhibition at the Neuberger Museum of Art in Purchase, New York .

Arts & Photography

Prebles' Artforms: An Introduction to the Visual Arts (8th Edition) by Patrick Frank (Pearson Prentice Hall)

From the first edition in 1972, Artforms grew out of a desire to introduce art through an engaging visual ex­perience. By introducing art theory, practice, and history in a single volume, Prebles' Artforms draws students into a new or expanded awareness of the visual arts, engaging readers in the process of realizing their own innate creativity, understanding and enjoyment of art. In the Eighth Edition, the title has been modified to Prebles' Artforms, acknowledging the pioneering contribution of the original authors, Duane and Sarah Preble, to the study of art. Their vision and spirit have touched hundreds of thousands of students who have studied Artforms.

Beyond fostering appreciation of major works of art, Prebles' Artforms’s primary concern is to open students' eyes and minds to the richness of the visual arts as unique forms of human communication and to convey the idea that the arts enrich life best when we experience, understand, and enjoy them as integral parts of the process of living.

Highlights include:

  • A new Chapter 24, Modern Art Beyond the West, enhances the book in its coverage of global visual expression.
  • Coverage of diverse artists in Prebles' Artforms expands with 25 new illustrations from women and members of ethnic minorities.
  • Thirty five additional contemporary artists have been added in the eighth edition.
  • New sections on industrial Design and Green Architecture address relevant topics that link art to everyday life.

Resources available with Prebles' Artforms, eighth edition include:

  • OneKey – an online resource that delivers instructor and student online resources – in one place – organized to accompany the text.
  • From environmental design to performance art, TIME Special Edition: Art offers the coverage and photography for which TIME is known.
  • The interactive CD-ROM offers students a dynamic exploration of art through video demonstrations, an electronic image gallery and flashcard program, and interactive exercises included with the text.
  • The Companion Website.

Organization

  • Part One: Art Is ... (Chapters 1 and 2) introduces the nature of art, aesthetics, and creativity, and discusses the purposes of art and visual communication. Strongly believing that we are all artists at heart, Prebles' Artforms includes an essay on children and their Early Encounters with the Artist Within, and a section on the works of untrained artists.
  • Part Two: The Language of Visual Experience (Chapters 3-5) presents the language of vision, visual elements, and principles of design. Experience with the language of visual form introduced in those chapters provides a foundation for developing critical thinking and for considering evaluation and art criticism, discussed in Chapter 5.
  • The visual and verbal vocabulary covered in Part Two prepares readers to sample the broad range of art disciplines, media, and processes presented in Part Three: The Media of Art (Chapters 6-13). In this part Prebles' Artforms con­siders the classical media used in drawing, painting, sculpture, and architecture and the latest developments in photography, video, film, digital imaging, and in­dustrial design.
  • Part Four: Art as Cultural Heritage (Chapters 14-19) and Part Five: The Modern World (Chapters 20-24) introduce historic world styles and related cultural values. Three chapters cover artistic traditions outside the Western world, showing how each new technique in the history of art relies heavily on its predecessors.
  • Part Six: The Postmodern World and its Chapter 25 discuss art of the last two decades and the multifaceted and changing roles of artists today. It includes a section on the Global Present, emphasizing the international aspects of the contemporary art world.

In addition to a revised Glossary, Pronunciation Guide, and Selected Readings, the back matter of Prebles' Artforms includes a listing of Web sites related to art: Images, artists, museums, art organizations, magazines, and other sources. The three-page Timeline is illustrated and includes additional information on both Western and non-Western art.

Special Features

Throughout Prebles' Artforms, three types of essays enrich the presentation. Biography essays profile important artists from across time. Art in the World essays address how art affects our society once it leaves the artist's studio and how we encounter these issues in our everyday lives. Artists at Work essays highlight interviews with six contemporary artists, showing that artists' creativity is a rational process of making choices in order to arrive at a statement that expresses their vision.

Prebles' Artforms is renowned for its high quality images, clear organizational structure, and straightforward writing. These strengths remain in the eighth edition, along with a number of changes that make Prebles' Artforms the most current and relevant text available for the art appreciation course. In keeping with the philosophy of the text, the Eighth Edition is a careful blending of the strengths of its earlier editions – clear organizational structure, straightforward writing, and high quality images – with a number of important changes. This new edition enhances its leadership in covering global visual expression. Frank added a new chapter called Modern Art Beyond the West, the only such chapter in any book of its type. And finally, Prebles' Artforms has been a leader in including art by women and members of ethnic minorities, and that coverage has been expanded to include twenty-five new illustrations of art by women, a section on African­American modernism, thirty-five new contemporary artists, and a new section on the latest approaches to drawing.

Arts & Photography / Museum & Collections

In Pursuit of Perfection: The Art of Agnes Martin, Maria Martinez, and Florence Pierce by Timothy Robert Rodgers (Museum of New Mexico Press) is the catalog of an exposition of three artists – Agnes Martin, Maria Martinez and Florence Pierce – at the Museum of Fine Arts, New Mexico with essays discussing the work of each artist.

When the Museum of Fine Arts opened in 1917, art by Native Americans was presented alongside work done by artists trained in the modern styles of the day. Although these art forms arose out of very different cultures and their respective concerns, the visual similarities linked the work in ways that the founders of the museum believed to be enlightening and visually informative. The Museum of Fine Arts seeks to revive that tradition.

In the exhibition and catalog In Pursuit of Perfection, Chief Curator Tim Rodgers brings together three of New Mexico's most acclaimed artists. Each renowned in her own right, these artists have never had their work presented together in an exhibition. When viewed, this stunning show causes all to question why this has been so. How do artists, especially those who at one time lived only miles apart, come to exist in art worlds light years apart? How much has been gained and lost by the categories that both define and delimit this art?

Marsha C. Bol, director of the Museum of Fine Arts and a scholar of Native American art, remembers curator Rodgers returning from a visit to Florence Pierce's studio and proposing an exhibition of art by Martinez, Martin and Pierce. He had seen in Pierce's home how she displayed Native American pottery, mainly gifts from artists she knew and admired, side by side with her luminous poured-resin paintings. Although unexpected, the relationship between the pottery and the paintings was visually exciting. He added Martin to the mix and began to think about how these artists related to one another.

A week later, In Pursuit of Perfection came into being. Centering the show on a powerful concept like the pursuit of perfection allowed him to ask questions that, when answered, began to weave together these artists and their creations.

The most powerful words are those most difficult to define: happiness, friendship, perfection. Agnes Martin's contention that we all know what perfection is in our minds might be true, but, if surveyed, few would define perfection exactly the same. Despite their amorphous nature, these terms are vested with enormous power by cultures that weave into their meaning, concepts and behaviors deemed worthy of continual discussion, examination and negotiation. In this catalogue and exhibition, Marsha Bol, Lucy Lippard and Rodgers examine three different artists – Agnes Martin, Maria Martinez and Florence Pierce – and attempt to reveal how in the course of making their art these women use the concept of perfection to establish their aesthetic standards, pursue their artistic goals and explain their spiritual and cultural concerns. The conclusion of each essay is nearly the same: none of the artists achieved perfection and none claimed that they had. But in the pursuit of this elusive concept, the artists called upon their deepest beliefs to create their art.

What are those deep-seated beliefs that motivated these artists to establish extraordinarily high standards that they pursued at great personal cost? For each artist, the answer is different. Florence Pierce might point to the importance of light for her life and her art as a force that compelled her to repeat, refine and refine again her poured-resin paintings. In a recent series of paintings titled Clouds, she has created her most luminous work that literally seems to transcend the bounds of earth and exist somewhere between the light and the ground.

Maria Martinez would answer these questions differently, in part because of the cultural position she held as a minority in a society dominated by non-Natives. For Martinez, spiritual and cultural concerns fused with Eurocentric expectations, compelling her to refine, continually, her shapes and their finish. The exactitude of her art fostered a buying public that allowed the artist to give back to her people. The ability to help others in need became the ultimate motive in her pursuit of perfection. Agnes Martin, who of the three has written and spoken most about perfection, has woven together her desire for happiness, love and serenity with her quest to achieve the impossible. Perfection, according to Martin, exists in those moments of great joy and peace, those moments that inspire her to create. The process of trying to recapture on canvas and paper fleeting positive emotions has become for Martin a means of staving off the less-than-perfect times of sorrow, fear and loneliness.

In bringing these artists and their work together in relation to a shared idea, Rodgers in In Pursuit of Perfection moves outside of some of the ways in which their art is typically present­ed. Martin has strenuously objected to having her work associated with the Minimalists. Martinez's art has been bound by her time and ethnicity. Pierce's work has failed to be integrated into typical art categories and exists only on the margins of mainstream art history. This book/exposition is one of New Mexico's gifts to the world of art: a  multicultural art, a hybrid that offers surprising linkages and intersections across time and cultures.

Arts & Photography / Dance

Legacies of Twentieth-Century Dance by Lynn Garafola (Wesleyan University Press) is a selection of Garafola's carefully crafted essays, articles, and reviews that document the extraordinary transformation of dance since the early 20th century.

Although the pieces in Legacies of Twentieth-century Dance originally appeared in highly specialized journals, they were conceived and written with a broad audience in mind, making them valuable to specialists and lay readers alike. Taking advantage of numerous literary, pictorial and historical sources, Lynn Garafola reflects on such broad topics as the influence of second-wave feminism and gay liberation on American intellectual life in the last several decades, dance and gender, The Ballets Russes, and dance in New York City.

Garafola, dance historian and critic, teacher at Barnard College in New York City, shows how economics, revolution, racism, and rank affect the world of dance. She puts human faces on the major and minor figures of dance's last 100 years, and locates dance, dancers, and the people who drive and support the dance world at the center of human culture.

 

Lynn Garafola's breadth of dance knowl­edge is astonishing and, in Legacies of Twentieth-century Dance, it is fully matched by her insightful exploration of provocative issues in the field. – Nancy Reynolds, Director of Research, The George Balanchine Foundation

The author's sense of discovery permeates the book and is one of its chief pleasures. Lynn Garafola is unusual among dance scholars in showing how economics, revolution, racism and rank push and pull at the sometimes insular theatrical world. – Monica Moseley, Associate Curator, Dance Division, The New York Public Library

This book is full of revelations about dance history which should be part of the mainstream narrative. And it's riveting to read because of that rare combination of visionary scholarship and compelling narration. – Elizabeth Kendall, author of Where She Danced

Unlike many dance scholars of her time, Garafola uses a lucid, animated writing style. During the past 20 years, her writings have illuminated a broad spectrum of personalities, moments, and historical circumstances in dance. Operating from a unique vantage point, in Legacies of Twentieth-century Dance, Garafola successfully analyzes the role of dance in culture and the impact of the larger world on esthetic issues.

Biographies & Memoirs

Do You Remember Me?: A Father, a Daughter, and a Search for the Self [LARGE PRINT] by Judith Levine (Thorndike Press Large Print Senior Lifestyles Series: Thorndike Press)

In her award-winning Harmful to Minors, Judith Levine radically disturbed our fixed ideas about childhood. Now, the personal Do You Remember Me? tackles the other end of life.

The book is both the memoir of a daughter coming to terms with a difficult father who is sinking into dementia and an exploration of the ways we think about disability, aging, and the self as it resides in the body and the world. Freelance writer Levine unpeels the layers of his complicated personality and uncovers information that surprises even her mother, to whom her father has been married for more than sixty years.

As her father deteriorates, the family consensus about who he was and is and how best to care for him constantly threatens to collapse. Levine recounts the painful discussions, mad outbursts, and gingerly negotiations, and dissects the shifting alliances among family, friends, and a changing guard of hired caretakers. Spending more and more time with her father, she confronts a relationship that has long felt bereft of love. By caring for his needs, she learns to care about and, slowly, to love him.

While Levine chronicles these developments, she looks outside her family for the sources of their perceptions and expectations, weaving politics, science, history, and philosophy into their personal story. A memoir opens up to become a critique of our culture's attitudes toward the old and demented. What creates a self and keeps it whole? Do You Remember Me? insists that only the collaboration of others can safeguard her father's self against the riddling of his brain. Embracing interdependence and vulnerability, not autonomy and productivity, as the seminal elements of our humanity, Levine challenges herself and her readers to find new meaning, even hope, in one man's mortality and our own.

Unsentimental and unsparing, this work studies in unnerving detail what happens when the mind begins to separate from the body and how our society has no model for coping with such fragmentation. … Levine, a natural storyteller and author of the controversial Harmful to Minors: The Perils of Protecting Children from Sex, presents more than a tale about one man's disease and its impact on his family; she also examines how society separates itself from those who can no longer think clearly. …This is a daughter's poignant homage to a father she came to know best after he lost his mind, but it's also a searing indictment of how America treats its disabled and a cautionary tale for aging baby boomers. – Publishers Weekly
In this memoir, Levine chronicles her family's struggles to care for her father after he was diagnosed with Alzheimer's disease. Through telling this story, she explores the cultural, historical, and political meanings of dementia and aging in a hyper-cognitive society that values self-reliance. The medicalization of the normal aging process is also addressed. – Book News

A claustrophobic account of Alzheimer's is transformed into a complex lesson about love, duty, and commitment in Do You Remember Me?, the insightful memoir of a daughter coming to terms with a difficult father sinking into dementia. In prose that is unsentimental yet moving, serious yet darkly funny, complex in emotion and ideas yet spare in diction, Levine reassembles her father's personal and professional history even as he loses track of it, confronting a relationship that has long felt bereft of love. Chronicling the negotiations of his care, Levine looks outside her family for the sources of their perceptions and expectations, deftly weaving politics, science, history and philosophy into their personal story.

Business & Economics

Corporate Scandals: The Many Faces of Greed by Kenneth R. Gray, Larry A. Frieder, & George W. Clark, Jr., with an introduction by Sybil C. Mobley (Paragon House Publishers)

Dramatic corporate malfeasance marked the end of the 1990s and the beginning of the new millennium. Industrial and financial sector scandals filled newspaper headlines. Nowhere could anyone find pro­ponents of the status quo in business and finance, yet few emerged to constructively address what can only be characterized as a crisis or breakdown of major proportions.

In Corporate Scandals, Professors Kenneth R. Gray, Larry A. Frieder, and George W. Clark, Jr. dissect one of our country's most devastating economic periods. The three authors are uniquely qualified to execute their work by their extensive experience at the School of Business & Industry (SBI) at Florida A & M University, in the Professional Development Program. Gray as SBI's Eminent Scholar Chair of Global Business, specializes in business strategy, policy, and international management. Frieder, Eminent Scholar Chair Professor of Financial Services is deeply rooted in the study of commercial banking consolidation and 'best practices.' Clark holds Florida A & M's distinguished 3M Professorship as a leader in the field of business ethics.

Much has been reported in the popular press about the financial scandals of the previous decade and their specific resolutions. Corporate Scandals does more than recount events however. Rather, it provides the background needed to allow the readers to better appreciate how such problems came into being and how one can constructively address resultant challenges. Corporate Scandals speaks to the deep failure of public auditors and the accounting profession, the need to address breakdowns in corporate governance, and the potential opportunities that exist in business education.

After an introductory chapter, Corporate Scandals begins chapter two with a brief survey of corporate scandals throughout history. Great waves of exploration and innovation have propelled often worthless speculative ventures that grew until they burst, hence the name ‘bubble.’ Financial scandals followed. A look at some of history's more infamous financial bubbles provide numerous insights relevant today. Many bubbles grew from the enthu­siasm generated by world exploration, and from the subsequent colonial land grabs. The discovery of new territories initiated speculative bursts of capital expansion that produced both the South Seas and the Mississippi Company bubbles. Two centuries later, the steam engine and the railroad boom created an investment bubble that was similar to the technology bubble of the 1990s.

Chapters three to six discuss the systematic evolution of corporate malfeasance and corruption both on and off Wall Street, noting the laxity of the SEC and of various self-regulated professions and stock exchanges. Chapter three explores recent high profile corporate breakdowns. Enron was the first prominent firm to exhibit the direct results of stock market pressures, corporate malfeasance, questionable oversight by the board of directors, as well as dubious conduct by its public auditors, law firms, and investment bankers. Evidence of a general breakdown of the corporate culture arose when the public discovered similar problems at numerous other prominent companies.

Chapter four presents the Sarbanes-Oxley Act and the Public Company Accounting Oversight Board (PCAOB). The chapter discusses the case of HealthSouth as an example of how effective SOA may be as a tool for corporate policing.

Chapter five focuses on Wall Street. Beginning with a discussion of the SEC and its embattled Chairman, Harvey Pitt, Corporate Scandals details SOA's development and Pitt's resignation. The chapter examines New York State Attorney General Eliot Spitzer's efforts to address the unfolding Wall Street scandal and it discusses the $1.6 billion settlement that he reached with ten major investment banks. The chapter also reviews the plight of several high profile investment analysts and analyzes the breakdown of the venerable New York Stock Exchange (NYSE).

Chapter six explores the scandals and corruption afflicting the $7 trillion mutual fund industry. Chapter seven focuses on a subplot the authors call ‘the great heist’: the perversion of corporate financial management practices that facilitated excessive and ruinous executive compensation. Dramatically rising executive salaries, benefits, and awards triggered a major shift in the historical role of corporate dividend policy. Share repurchase strategies applied in the 1990s not only destroyed stock value at the various firms, but also left the door open to a $1.679 trillion ‘heist’ by corporate management that Corporate Scandals uncovers. Massive share buybacks masked an explosive issuance of executive stock options by which management acquired vast wealth without actual conspiracy or illegality.

Chapters eight and nine identify how our society can address fundamental economic and corporate problems. Chapter eight examines social institutions and the incentives that guide social welfare. The market system is a social institution. Non-market institutions – such as family, educational and cultural organizations, and professional associations – seek to constrain socially undesirable traits, promote attractive values, and balance individual behavior. The spillover of marketplace values to other non-market institutions is one of the great challenges of our time. Social institutions and cultural norms set parameters for executive compensation. Chapter nine looks at business ethics from the point of view of virtue across history in Western and Eastern philosophy and offers an alternative pedagogy.

The final chapter of this book is reflective. In considering the broad, systemic breakdowns in accounting, regulation, and Wall Street practices, several problems and issues emerge, and the authors bring these to light.

Corporate Scandals is the encyclopedia of corporate scandals and an essential text for Business Ethics. – Dr. Gary Quinlivan, Dean of the Alex G. McKenna School of Business, Economics, and Government at Saint Vincent College

Its insightful presentation of a $1.6 trillion financial ‘heist’ is must reading for observers of U.S. capitalism and corporate governance. – Dr. Stanley D. Smith, SunTrust Chair of Banking and Professor of Finance, University of Central Florida

The definitive guide to understanding the topic of corporate scandals and their impact on the U.S. economy .... puts the reader in the middle of the ac­tion. encouraging reflection on how to behave....offers provocative insights on the institutional changes necessary to restore confidence and trust in business accounting. This book should be required reading in every MBA program, and for undergraduate business majors. – Harvey Rosenblum, Former Senior Vice President, Federal Reserve Bank of Dallas, and University Professor of Finance, Southern Methodist University

A critique and road-map combined in one wide-ranging discussion of stock-market capitalism and how to improve it. – Steve Young, Global Executive Director, The Caux Round Table

Corporate Scandals is accurate and well-grounded both in business theory and in ethical perception of just how much a good society needs a moral foundation. The Gray, Frieder, and Clark author team does a terrific job integrating the diverse elements that resulted in unparalleled scandal – readers benefit from the remarkable perspectives all three authors share with their readers. Their writing brings important insights, as well as a sense of candor about our free enterprise system that is often missing from public and academic discourse. And their work is detailed, objective, definitive, includes the latest developments – it has much to teach those engaged in business, education, and government regulation.

Business & Investing / Personal Finance

Start Late, Finish Rich: A No-Fail Plan for Achieving Financial Freedom at Any Age [ABRIDGED] by David Bach, 5 CDs (Random House Audio)

Unfortunately, the vast majority of people who’ve saved too little and borrowed too much will never catch up financially. Why? Because they don’t know how.
Whether in their thirties, forties, fifties, or even older, David Bach shows readers that they really can start late and still live to finish rich – and they can get a plan in place fast. Start Late, Finish Rich contains the plan. It’s easy to follow, and based on proven financial principles.

Bach advises readers to find their ‘Latte Factor’ – something they are currently wasting money on that they can give up – and turbo charge it to save money they didn’t know they had. For example, they can get rich in real estate – by starting small. Another example, readers can start a business on the side – while they keep the old job and continue earning a paycheck. Readers can spend less, save more and make more – and it doesn’t have to hurt.
Bach, author of the runaway bestseller The Automatic Millionaire, which spent fourteen weeks on the New York Times bestseller list, gives readers step-by-step instructions. The book also contains worksheets, phone numbers and website addresses to help readers put their ‘Start Late’ plan into place fast. He also shares the stories of ordinary Americans who have turned their lives around, at thirty, forty, fifty, even sixty years of age, and are now financially free. Bach says: ‘They did it, and now it’s your turn.’

Straight-shooting, action-oriented tips for getting a handle on [your] spending and saving habits . . . presented in a straightforward, non-intimidating manner perfect for the personal finance newbie. – ABCNews.com

… Anyone can finish rich, says Bach (Automatic Millionaire, etc.), if they are willing to ‘spend less, save more, and make more.’ The bulk of the book describes a variety of tactics and strategies (many covered in his previous books) for accomplishing these three tasks. Readers of financial help books will have heard many of Bach's ideas before, but he does deliver a lion's share of solid advice in an entertaining format, and, for good measure, he throws in an occasional counterintuitive gem, such as why paying off credit card debt can be "a huge mistake."… – Publishers Weekly
David Bach is the one expert to listen to when you’re intimidated by your finances. His easy-to-understand program will show you how to afford your dreams. – Anthony Robbins, author of Awaken the Giant Within

With Bach at one’s side, it’s never too late to change one’s financial destiny. In Start Late, Finish Rich, a motivating, swift read or listen, readers learn how to ramp up the road to financial security with the principles of spend less, save more, make more – and also, according to Bach, live more. And he gives readers a plan to do it.

Business & Investing / Public Policy

It's Legal But It Ain't Right: Harmful Social Consequences of Legal Industries edited by Nikos Passas & Neva R. Goodwin (Evolving Values for a Capitalist World Series: The University of Michigan Press)

Many U.S. corporations and the goods they produce negatively impact our society without breaking any laws. We are all too familiar with the tobacco industry's effect on public health and health care costs for smokers and nonsmokers, as well as the role of profit in the pharmaceutical industry's research priorities.

It's Legal But It Ain't Right tackles these issues, plus the ethical ambiguities of legalized gambling, the firearms trade, the fast food industry, the pesticide industry, private security companies, and more.

In It's Legal But It Ain't Right a wide range of scholars, journalists, and policy analysts present essays examining the ‘lawful but awful’ practices that populate the gray area between legality and morality. Significant challenges remain to better define the problems, to further document and analyze some of the most significant externalities, to launch a debar, toward the redefinition of legitimacy in business practices, and to propose concrete and practical courses of action. Recognizing that their mission requires a change in social attitudes, the first task is to create wide awareness that many practices that are now legal (actually or potentially) can cause us all grave harm.

Most generally, the authors in It's Legal But It Ain't Right see the need for transparency, accountability, and regulation. But this effort will not really succeed without a reshaping of cultural norms and the acceptance of responsibility by those whose decisions shape corporate behavior.

According to editors Nikos Passas, Professor in the College of Criminal Justice at Northeastern University and Neva Goodwin, Co-director of the Global Development and Environment Institute at Tufts University, corporate executives are not always aware of the ultimate consequences of their actions or failures to act, whether because of compartmentalization, specialization, or neglect. These leaders need to be challenged and asked, When do you become responsible? When should you know that your corporate practice is wrong? Individual responsibility is about saying, "I won't do it because it's wrong." This can be supported by accountability (creating legal and other institutions that allow those affected by externalities to challenge the individual and institutional actors) and transparency (making it easy for others to see the externalities). Responsibility goes beyond but is strongly supported by accountability and transparency, giving conscience a hearing even when there is little likelihood of getting caught.

Changes in the norms that guide behavior in corporations will require wide public support. A key goal of It's Legal But It Ain't Right, therefore, is to change social attitudes so that people both inside and outside the industries in question no longer think that whatever is not illegal is okay. In some cases it is desirable to change laws; more often, the need is to redefine legitimacy. The two may have to be pursued in parallel. Changing laws sometimes changes legitimacy (gambling unfortunately became legitimate when it became legal). Changing legitimacy sometimes changes laws (as illustrated in issues relating to the environment or with tobacco).

It's Legal But It Ain't Right chronicles the abuse of power and privilege by businesses that defy the strictures of law and limits of regulation. Contributors stretch the conceptual boundaries of corporate deviance across a wide range of industries at a time when standards of corporate social responsibility and good corporate citizenship are in flux. – William S. Laufer, The Wharton School of Business

This delightful and serious book involves a matter I have long felt of first importance. That is our tendency to make social truth and acceptance conform to personal or larger corporate interests. On this I have written, but gladly yield to this persuasive parallel. No one concerned with literate, informed, and relevant – as distinct from self-serving – truth should miss It's Legal But It Ain't Right. – John Kenneth Galbraith

This absorbing and well-written book of essays on the harmful consequences of legal industries skillfully illuminates the ways in which some corporate harms fail to be transformed into criminal law-making and enforcement, and offers cogent suggestions for better regulation in the public interest. – Dr. Michael Levi, Professor of Criminology, Cardiff University

An accessible exploration of corporate legitimacy and crime, It's Legal But It Ain't Right will be important reading for advocates, journalists, students, and anyone interested in the dichotomy between law and legitimacy. Aiming to identify industries and goods that undermine our societal values and to hold them accountable for their actions, this wide-ranging collection makes a valuable contribution to the ongoing discussion of ethics in our time.

Business & Investing

Category Killers: The Retail Revolution and Its Impact on Consumer Culture by Robert Spector ( Harvard Business School Press)

The retail business has always been a dog-eat-dog world, an industry wrought with vigorous resistance to change and disruption. Department stores, mail-order catalogs, shopping malls, discounters, and chain stores, have all been introduced over the years to much resistance. But no concept has dramatically altered the consumer shopping experience more than the category killer big box specialty stores like Barnes & Noble, PETsMART, and Wal-Mart, and the latest disrupter in an already tumultuous industry.

In Category Killers, veteran business journalist Robert Spector explores the rise of retail's reigning disruptor: retailers who seek to dominate a distinct classification of merchandise and wipe out the competition. Based on decades of research and investigative reporting, Spector vividly recounts how ‘category killers’ from Toys R Us and Home Depot to Wal-Mart and Costco have rewritten the retail playbook and, in the process, profoundly altered cultural and economic factors.

Spector explores the brilliant strategies that have enabled category killers to overpower department stores, regional chains, and mom-and-pop stores and to reshape the concept of shopping malls.

According to Spector, we are observing the last gasps of both the so-called ‘traditional’ department store, and, in turn, the classic shopping mall. At the same time, we are witnessing a metamorphosis of the urban/suburban experience as Main Street and the mall are meeting to form something entirely new. Expansion – both domestically and abroad – is the economic imperative of every one of the category killers; if they do not grow; they die. However in their search for growth, their aggressive expansion strategies have led to the inevitable backlash, as many local governments, under pressure from local and national anti-sprawl activists, land-use experts, and competing independent retailers, take a closer look at the toll of these stores on land-use legislation, farmland, taxation, migration patterns, traffic patterns, infrastructure, wages, and jobs – the ones they add and the ones they take away (by eliminating other retailers). Spector outlines the specific ways category killers feed and are fed by consumer demand, and warns that they might fall victim to the changing consumer landscape unless they get in touch with the desires of the communities that have grown up around them.

…Anyone interested in the future of shopping, from both a business and cultural perspective, will find this book to be a useful primer. – Publishers Weekly

Robert Spector has once again provided a historically accurate and insightful portrait of American retailing in terms of where it is and where it's going. This is a compelling read for anyone who professes to know a thing or two about the retail industry, especially with regard to what the future might hold. – Bob DiNicola, Chairman, Zale Corp.

Category Killers is thorough, fact-filled, and engaging. It is the best history I have read of the development and ramifications of large-scale retailing. – Joseph H. Ellis, former partner and head of the Retail Research Group, Goldman Sachs

Robert Spector is America's preeminent retail historian. In the tradition of Stephen Ambrose, Spector's books are aimed at a popular audience looking for an enjoyable and informative read. – Paco Unerhill, Founder and Managing Director, Envirosell, Inc.

Based on research and reporting, absorbing and insightful, Category Killers is at once a vivid journey down the aisles of retailing history and an incisive analysis of modern retail's most influential players. Category Killers offers an unbiased, and engaging analysis of the history of category killers and their impact and strategies – good and bad – on the retail industry. Spector reveals the secrets behind ‘big-box’ retailers – and also the ‘weak spots’ that leave room for new entrants to become tomorrow's category killers.

Computers & Internet / Business & Investing

Succeeding in Business with Microsoft Office Excel 2003: A Problem-Solving Approach by Debra Gross, Frank Akaiwa & Karleen Nordquist (Course Technology)

In today's technology-driven business world, having a good gut instinct and basic computer familiarity will only get readers so far. In order to make and stand by strategic business decisions, they need to move beyond simple formulas and functions.

Succeeding in Business with Microsoft Office Excel 2003, part of the new Succeeding in Business Series, prepares readers to solve real-life business problems using the popular spreadsheet software Microsoft Office Excel 2003. Written by Debra Gross, Ohio State University; Frank Akaiwa, Indiana University; and Karleen Nordquist, College of St. Benedict and St. John’s University , it moves beyond the basic ‘point and click’ skills to get readers to think critically about realistic business situations. Succeeding in Business with Microsoft Office Excel 2003 contains a companion Skills Training CD to ensure readers have the prerequisite skills to achieve success. Powered by SAM, this skills Training CD provides an opportunity for skills refreshment and acquisition through robust software simulations.

Succeeding in Business with Microsoft Office Excel 2003 focuses on learning how to solve problems using Excel, widely used in business as a tool for solving problems and supporting decision making, although the concepts and tasks presented could apply to a variety of computer applications and programming languages. There are two perceptions of Excel to consider: one is that Excel is the obvious extension of the desktop calculator into the personal computer; the other is that Excel is a powerful tool for the manipulation and analysis of data. Data is usually analyzed to provide support for whether or not to take some course of action a decision. Not all decisions require a spreadsheet for analysis, but many of the complexities faced in business are made simpler and easier to understand when a tool like Excel is employed properly. One of the main goals of Succeeding in Business with Microsoft Office Excel 2003 is that readers will ‘learn how to learn,’ becoming confident in their own ability to explore new Excel features and tools to solve problems and support their decisions.

For example, the spreadsheet could be used to evaluate ‘what’ would happen ‘if’:

  • The organization cut sale prices by 5%.

  • The sales volume increased by 10%.

  • The organization improved its inventory turnover by 8%.

  • The organization issued $1,000,000 in bonds.

Succeeding in Business with Microsoft Office Excel 2003 focuses on how to use Excel as a decision support tool and shows readers that a spreadsheet is far more than a sophisticated calculator; it is used extensively at the highest level of decision making.

Throughout Succeeding in Business with Microsoft Office Excel 2003, readers are presented with various problems to solve or analyses to complete using different Excel tools and features. Each chapter in the book presents three levels of problem solving. Level 1 deals with basic problems or analyses that require the application of one or more spreadsheet tools, focusing on the implementation of those tools. However, problem solving not only requires readers to know how to use a tool, but, more importantly, why or when to use which tool. So, with Level 2 the problems and analyses presented increase in complexity. By the time readers reach Level 3, the complexity increases further, providing them with opportunities for more advanced critical thinking and problem solving. Each level ends with a section called ‘Steps To Success,’ which provides hands-on practice of the skills and concepts presented in that level.

In the Case Problems at the end of each chapter, not only does the degree of complexity increase, matching how the material is presented in each level, but the structure of the problem to be solved decreases as well. The goal is to move readers toward an environment that is more like the real business world they will encounter during internships and upon graduation from college.

The reader is drawn into the challenges and joys of problem solving rather than simply being given, rather mechanically, ‘how to’ instructions and then rather mundane situations in which to apply the mechanics. What's more, the problem sets at the back of the chapter provide interesting and appropriate contexts for application of the material. – Thomas J. Schriber, University of Michigan

Succeeding in Business with Microsoft Office Excel 2003 starts students where they are and teaches them, through practical application, the skills of problem solving with Excel. The CD gives readers a chance to practice the ‘mechanics,’ such as navigating and organizing a worksheet, entering text and values, writing simple formulas, and applying basic formatting, before they start applying the skills to solve problems.

Cooking, Food & Wine

The No-Salt, Lowest-Sodium Light Meals Book by Donald Gazzaniga & Maureen A. Gazzaniga, with a foreword by Dr. Michael B. Fowler (Thomas Dunne Books)

More than five million Americans are affected by various forms of heart failure. Now from retiree Don Gazzaniga, the author of The No-Salt, Lowest-Sodium Cookbook, and his retired-school-teacher-and-innovative-cook wife Maureen Garaniga, comes the latest in their life-changing cookbook series. The No-Salt, Lowest-Sodium Light Meals Book is a collection of recipes for soups, salads, and sandwiches, perfect for those occasions when one wants lighter fare.

Don Gazzaniga was sixty-three years old when he was diagnosed with congestive heart failure and was about to be placed on a heart transplant list. His doctor advised him to limit his sodium intake to 1,500 mg a day, but Gazzaniga decided to do more. He headed for the kitchen and found ways to drastically remove sodium from everyday dishes and still leave them delicious and easy to prepare.

Gazzaniga has been sharing his life-giving recipes on his website and has received thousands of appreciative responses from readers of The No-Salt, Lowest-Sodium Cookbook. That first cookbook was a surprise to medical professionals and their patients alike, because doctors had always believed that no one could get below 1500 milligrams of sodium in a daily diet. "Keep it at that level," Gazzaniga's doctor told the sixty-three-year-old Gazzaniga in 1997. After three years of following his own recipes, Gazzaniga was no longer considered a candidate for a heart transplant.

In this new volume, The No-Salt, Lowest-Sodium Light Meals Book, he provides tips on where to purchase low sodium products, and, as he has done previously, he lists the amounts of sodium each ingredient adds, the amount per serving, and the total amount per recipe, showing readers not only how to live and eat healthy, but also that they can do so without sacrificing taste and enjoyment. For readers want to celebrate their grandson's third birthday, or their doctor's latest green light, with a party and need delicious tidbits for the guests, they will be pleased by this new book. Readers who feel like a light lunch – a salad, a sandwich, a bowl of soup – will find it in Maureen Gazzaniga’s specialties. And there are sections explaining where to buy special flavorings and the like, how to substitute low-sodium or sodium-free ingredients, and a foreword by Dr. Michael Fowler, director of the Stanford Heart Transplant Program and medical director of the Stanford Cardiomyopathy Center.

For the millions of people diagnosed with congestive heart failure and/or high blood pressure, The No-Salt, Lowest-Sodium Light Meals Book offers valuable recipe alternatives and new hope for a healthier life.

Economics / Social Sciences / African Americans

African Americans in the U.S. Economy edited by Cecilia A. Conrad, John Whitehead, Patrick Mason, & James Stewart (Rowman & Littlefield, Publishers)

Over the past several decades, academic discourse on racial inequality has focused primarily on political and social issues with significantly less attention paid to the complex interplay between race and economics. African Americans in the U.S. Economy represents a contribution to recent scholarship that seeks to lessen this imbalance. Influenced by path-breaking studies presented in several scholarly economic journals, African Americans in the U.S. Economy is designed to provide a political-economic analysis of the past and present economic status of African Americans. The volume is edited by Cecilia A. Conrad, Stedman-Sumner Professor of Economics at Pomona College; John Whitehead, professor of economics and African American studies at the City College of San Francisco; Patrick Mason, associate professor of economics and director of the African American Studies Program at Florida State University; and James Stewart, professor of labor studies and industrial relations, African and African American studies, and management and organization at Penn State University.

The chapters in African Americans in the U.S. Economy represent the work of some of the nation's most distinguished scholars on the various topics presented. The individual chapters cover several well-defined areas, including black employment and unemployment, labor market discrimination, black entrepreneurship, racial economic inequality, urban revitalization, and black economic development. A study guide, designed to promote student comprehension of the ideas and terminology in the individual chapters with the goal of enhancing critical thinking skills, is also available.

Despite over three hundred years of participation in the U.S. economy, African Americans continue to be excluded from the full realization of the American dream. African Americans represented 12.3 percent of the U.S. population in 2000 but received only 9 percent of the income and owned only 3 percent of the assets. Yet, economics textbooks, particularly those for introductory students, are either silent about the economic influence of race or provide only a cursory overview of Gary Becker's theory of discrimination. Because Becker's theory predicts that race does not matter, scholars of racial inequality have focused on developing explanations other than race for persistent racial differences in economic status.

African Americans in the U.S. Economy takes a different approach. The chapters in this book begin with the premise that race matters – and then proceed with an analysis of the implications of race and racism for the economic status of African Americans and for the operation of the American economy. This approach challenges the adequacy of neoclassical, mainstream economic analysis as a useful paradigm in explaining the persistence of racial inequality; hence, it also challenges the validity of the neoclassical paradigm for explaining the general distribution of income and wealth, the operation of labor and capital markets, and the competitive process.

The chapters in African Americans in the U.S. Economy span the ideological spectrum of economics, from neoclassical theory to Marxian analysis of class. While most focus on the economic impact of racism on African Americans, not all of the authors are economists, nor are they exclusively African American. Although the authors begin with the shared premise that race matters, they do not always agree about its implications for the economic status of African Americans, nor do they agree about the appropriate public policies to ameliorate its effects.

Despite the diversity of perspectives repre­sented in African Americans in the U.S. Economy, several broad themes do emerge. The first is that neoclassical economic theory cannot adequately explain racial differences in economic status. Competitive markets not only fail to erase the effects of racial discrimination, but they tend to reproduce the inequality that racial bias creates. A second broad theme in African Americans in the U.S. Economy is that history matters. Because competitive markets tend to reproduce inequality, restrictions on economic opportunities in the past affect the present. This history of racial oppression and exclusion created the conditions under which African Americans participate in the contemporary U.S. economy. This history has also left African Americans especially vulnerable to structural changes in the U.S. and the global economy, the third broad theme in African Americans in the U.S. Economy. Most conservative economists believe that competitive markets are self-correcting and that the effects of racial discrimination will disappear over time and without government action. Once again, African Americans in the U.S. Economy offers a different perspective, of which the fourth theme is that a laissez-faire approach will not reduce racial inequality. The authors advocate traditional forms of intervention, such as enforcing antidiscrimination laws and endorsing new strategies.

A final broad theme that emerges from the chapters of African Americans in the U.S. Economy is that social capital matters. Paraphrasing Shondra Nash and Cedric Herring in this volume, social capital "consists of cohesive community networks that indicate trust and cooperation based on a common culture and goals, group loyalty, a sense of identity and belonging, and coordinated actions." Social capital is a critical ingredient to community economic development strategies, and institutions such as churches, community-based businesses, and cooperative organizations help to build and sustain social capital.

The forty-three chapters in African Americans in the U.S. Economy are organized into nine subsections: part I, Slavery and the Early Formation of Black Labor; part II, Organized Labor and African Americans; part III, Theories of Racial Discrimination, Inequality, and Economic Progress; part IV, Current Economic Status of African Americans; part V, Globalization and Its Impact on the Economic Well-Being of Americans and Latinos; part VI, Black Capitalism; part VII, Education, Employ­ment, Training, and Social Welfare; part VIII, Understanding Black Reparations; and part IX, African American Economic Development and Urban Revitalization Strategies.
Part I examines the historical role played by blacks in the building of the U.S. economy and in the emergence of the black working class. It documents the development of a capitalist world system dependent on slavery and the importance of black slaves to American economic development. Philip Foner describes the origins of the international slave trade and its role in financing the British industrial revolution. William Darity, Jr. links the wealth created by the slave trade to the contemporary prosperity of the United States and Europe and to the economic stagnation of many African countries.

James Stewart focuses attention on how black labor was mobilized on plantations to generate profits that fueled economic growth in the Southern and the Northern states.

The last two chapters in part I provide accounts of the economic circumstances of African Americans following the Civil War. Daniel Fusfeld and Timothy Bates describe the operation of the Southern sharecropping system, which led to the super-exploitation of black sharecroppers and their condition of chronic debt. Philip Foner examines how World War I created new employment opportunities for blacks in the urban North, spurring the largescale emigration of blacks from the South.

Part II continues the examination of black labor in the post-Civil War period. It chronicles the early attempts to recruit black workers into organized labor and the racist union practices that excluded blacks from most trade unions in the period immediately following the Civil War. William Harris describes the history of blacks and trade unions. Philip Foner recounts how the exclusion of blacks from white unions led to the formation of the Brotherhood of Sleeping Car Porters. In the final chapter of part II, James Stewart provides a detailed case study of attempts to overcome racism within the United Steel Workers of America during the pivotal years 1948-1970.

Part III builds on this historical foundation to analyze the economic status of African Ameri­cans. Part III presents and critiques the major theories of discrimination and racial economic inequality. John Whitehead's chapter compares conservative and liberal theories of discrimination, highlighting the strengths and weaknesses of each theory. Whitehead concludes that neither conservatives nor liberals have developed an adequate theoretical model of how capitalism can exploit a racial distribution of resources. Peter Bohmer's chapter continues Whitehead's discus­sion of the capitalism-racism nexus by looking at its treatment within the Marxist theory of racism and racial inequality. Timothy Bates and Daniel Fusfeld present a radical version of the crowding model. They argue that the crowding of black workers into the secondary, low-wage job sector worsens black-white income differentials and contributes to other racial differences in economic outcomes. Mary King's chapter presents a unique twist to the analysis of racial economic disparities by looking at racial violence as a tool for economic repression and for the enforcement of unequal property rights in ‘whiteness.’ James Stewart and Major Coleman conclude this section with a chapter that introduces the black political economy model that highlights the economic value of racial identity and examines the linkages between racial identity production and economic disparities.

Parts IV, V, and VI examine economic outcomes for African Americans today. In the first chapter of part IV, Susan Williams McElroy discusses the relationship between education and labor market outcomes. Her research demonstrates that, while educational attainment plays a crucial role in labor market outcomes, it does not fully account for disparities in earnings for race-gender groups. In the chapter "Persistent Racial Discrimination in the Labor Market," Patrick Mason challenges Becker's prediction that competitive markets will destroy racial discrimination within the labor market, through an examination of the relationship between the racial wage gap and changes in the quality and the quantity of schooling. In a second paper, coauthored with Gary Dymski, Mason shifts attention from labor markets to financial markets, examining racial differences in access to credit. The next two chapters focus on the economic status of African American women: Cecilia Conrad describes the movement of black women into clerical and sales jobs after 1960, a change she attributes to the enforcement of equal employment laws and the narrowing wage gap between black and white women, which she attributes to legislation and to improvements in educational attainment. Cecilia Conrad and Mary King then focus on the status of one group of African American women – single mothers who maintain families – and they examine the economic and social factors contributing to the high proportion of black families headed by single women. The differences in income, access to credit, and family structure described in these five chapters have long-term consequences for the accumulation of wealth. Hence, it is appropriate that part IV concludes with Thomas Shapiro and Jessica Kenty-Drane's chapter on racial differences in the accumulation of wealth.

The chapters in part V examine the impact of globalization on the socioeconomic well-being of people of color in the United States with particular attention to African Americans. Peter Dorman gives an in-depth analysis of the impact of increased capital mobility on employment in black and Latino communities. Jessica Gordon Nembhard, Steven Pitts, and Patrick Mason describe the consequences of corporate-driven globalization for economic inequality within the black community. The remaining three chapters focus on specific aspects of globalization: the shrinkage of the public sector (Mary King), immigration (Steven Shulman and Robert Smith), and the expansion of the penal system (Andrew Barlow).

Part VI examines the characteristics of black-owned businesses, from barbershops to hip-hop entrepreneurs, and debates the merits of black capitalism as a strategy for black economic advancement. Manning Marable describes the early history of black-owned businesses. The next two chapters examine the current status of black-owned businesses (Cecilia Conrad) and banks (Gary Dymski and Robert Weems Jr.). Part VI continues with two provocative chapters, written by Robert Weems Jr. and by Dipannita Basu, on hip-hop culture and its implications for black business development. In the final chapter of part VI, Earl Ofari Hutchinson worries that black capitalism will exacerbate class divisions among African Americans. He cautions that black capitalism by itself will not have a major impact on black economic well-being because of the small size of the black-owned business sector.

The remaining sections of African Americans in the U.S. Economy suggest alternative strategies for improving the economic position of African Americans. Part VII examines public policies to improve the educational attainment and incomes of individual blacks. Howard Fuller and Louis Schubert each debate the merits of school voucher programs, and Michael Stoll and Bernard Anderson each identify effective policies to increase black youth employment prospects. Linda Burnham discusses the consequences of welfare reform for black families.

Part VIII explores critical aspects of the growing and controversial reparations movement. Robert Allen presents an overview of past and present black efforts to obtain reparations. Richard America uses a general theory of restitution to make the case that reparations are due to African Americans, and he discusses policy options for payment. William Darity, Jr. and Dania Frank discuss precedents for reparations payments to blacks emerging from the experiences of Americans Indians, Japanese Americans, and Jews.

Part IX presents various economic development and revitalization strategies to address some of the challenges that face African Americans in the dawn of the new millennium. John Whitehead and David Landes emphasize the im­portance of attracting debt and equity capital to support the development of minority businesses that are linked to high-growth sectors of the economy. Rose shows how equitable development strategies can be used to lessen the adverse effects of gentrification that often accompanies community revitalization efforts. The next chapters discuss the job and wealth creation potential of the black church (Shondrah Nash and Cedric Herring) and of black-owned businesses (Thomas Boston). In the final chapter of this section, John Whitehead and James Stewart examine the potential role of black athletes as a funding source for broad-based inner-city investment initiatives.

Taken as a whole, African Americans in the U.S. Economy provides a comprehensive overview of the historical, contemporary, and prospective economic challenges that have confronted and currently confront African Americans in an ever-evolving global capitalist regime. The range and detail of the information presented in the various chapters provide a solid foundation for developing new approaches that can move society toward providing true equal economic opportunity for all. African Americans in the U.S. Economy builds upon, and significantly extends, the principles, terminology, and methods of standard economics and black political economy. The book is written in a style free of the technical jargon that characterizes most economics textbooks. While methodologically sophisticated, the book is accessible to a wide range of students and the general public and will appeal to academicians and practitioners alike.

Education / Reading / Reference

Getting Ahead: Fundamentals of College Reading by JoAnn Yaworski (Pearson Longman)

Every student can become an A-student.

The college reading class poses a tremendous challenge to literacy educators – lack of reading skills is the greatest barrier to success in all disciplines.

Getting Ahead covers the foundations of basic reading comprehension, including improvement and practice of study, vocabulary, sentence building, and critical thinking skills. The goal of the text is to build the reader's motivation – about themselves, their life situation, and their academic situation – in order to excel or ‘get ahead’ in both their academic and professional careers. Written by JoAnn Yaworski, developmental reading teacher in the Department of Literacy at West Chester University , Getting Ahead discusses the basic skills and strategies required for the simple comprehension of a written piece, coupled with an introduction to critical thinking and reading.

The main difference between college and high school is reading. High school teachers spend approximately 25 hours per week providing students with academic information via lectures and class activities while students are not required to read much – if at all. In college, students spend only 12-15 hours in classes with the professor covering three times the amount of information. In other words, the college classroom time is reduced by half while the amount of information the student is expected to learn triples.

Getting Ahead provides instruction in basic reading, vocabulary, grammar, critical reading, and study skills. Approximately 200 cross-disciplinary readings from college textbooks reflect the types of reading students are required to comprehend for their college courses and for national or statewide reading exams – biology, sociology, psychology, chemistry, communications, history, physical science, economics, geography, geology, and English. Each chapter focuses on a fundamental reading skill and leads students through a progression that become increasingly more difficult. This structure allows students to focus quickly and experience success immediately while learning new skills and strategies for reading college-level materials. The gradual increase in the length and difficulty of the excerpts makes it easier for students to maintain a level of success throughout the chapter without feeling overly challenged. This scaffolding strategy builds students’ confidence that they are capable of not only basic comprehension but advanced thinking as well.

Chapter coverage:

  • Chapter 1 focuses on motivation because so much can be accomplished when students are highly motivated to learn.
  • Chapter 2 addresses time management skills and the PQ4R method for reading textbook chapters. These skills are addressed early on in the text to enable students to begin applying this knowledge to their college studies.
  • Chapter 3 shows students various ways to learn vocabulary, including context clues, structural analysis (prefixes, suffixes, and roots), and dictionary use.
  • Chapters 4 and 5 cover main idea and provide scaffolding through the use of practice exercises that segment longer readings.
  • Chapter 6 presents four simple text structures: (1) term, definition, and example, (2) topic with a list, (3) process, and (4) chronological order.
  • Chapters 7, 8, and 9 respectively cover inference, purpose and tone, and critical thinking. Four different types of inference are highlighted in Chapter 7. In Chapter 8, purpose is looked at from three perspectives: (1) to inform, (2) to entertain, and (3) to persuade. In Chapter 9, reason and consequence are used to show the logical steps in drawing a conclusion.
  • Note-taking – from both lectures and textbooks – and exam preparation are highlighted in Chapters 10 and 11.
  • Speed-reading exercises consistent with current research are provided in Chapter 12. Comprehension of thought is emphasized. Students are shown how to think more quickly instead of sole reliance on moving the eyes faster.
  • Finally, the Appendix offers a brief English handbook that focuses on grammar with respect to parts of speech (e.g., nouns, pronouns, adjectives, adverbs, and prepositions) and basic sentence structures.

Each chapter includes a demonstration of a reading skill along with practice exercises. The practice exercises include readings that become progressively longer and more difficult.

I ... like the format of [the readings] much better than in previous textbooks I have used. I particularly like the short blurbs at the beginning to trigger background knowledge on the subject. The author's style of writing is so engaging that all the exercises, practices, boxes, and texts are woven together as a seamless whole. It is far superior to anything I have used in the past. – Pamela L. Gray, Austin Community College

Chapter 7 offers an excellent review of implied main idea, a skill students have difficulty grasping. The Visual Literacy and Getting Ahead Boxes ... are a challenging and ‘fun’ way to bridge the familiar with the unfamiliar. [They] build confidence because they hone in on one skill at a time, which allows students to be successful.... Overall, this is a quality textbook that will give instructors flexibility. – Tammy Frankland, Casper College

I love the letters and essays from former reading students.... This book is different from content-area textbooks. Students need to understand that there are learning skills, strategies, and concepts that they must learn and apply to their reading tasks. Overall, the purpose and organization of the text are well explained. – Jean Gorgie, Santa Monica College

Getting Ahead targets those interested in improving basic reading skills; it provides the college reading instructor with the tools to help students cope with the academic transition to college. It assists and motivates students in developing the basic and critical reading skills that will enable them to pass, and excel in, college-level, cross-disciplinary courses. Scaffolding, progressions, and vocabulary terms are provided to ease students from easy to more difficult readings. In this way, it is possible to challenge students without upsetting or discouraging them or making them feel incapable and unprepared. High-interest topics are provided to help students develop confidence in reading expository text information. Attention is given is also given study strategies.

Education

Multiple Intelligences Reconsidered edited by Joe L. Kincheloe (Counterpoints Series, V. 278: Peter Lang)

Twenty years after the publication of Howard Gardner's Frames of Mind: The Theory of Multiple Intelligences, Joe L. Kincheloe, Professor of Education at the CUNY Graduate Center Urban Education Program and at Brooklyn College , and the contributing authors of Multiple Intelligences Reconsidered critique and rethink the theory in new frames of reference. Initially drawn to multiple intelligences (MI) theory because of its self-proclaimed challenge to the psychology establishment, the authors delineate their disillusionment with its evolution over the last two decades. Each intelligence presented by Gardner is examined and critiqued, while larger concepts in the theory are identified and assessed.

When editor Kincheloe and the authors first read Howard Gardner's theory of multiple intelligences (MI) in 1983, they were profoundly impressed by the challenge he issued to traditional psychology, particularly psychometrics. They believed that Gardner stood with them in their efforts to develop psychological and educational approaches that facilitated the inclusion of students from marginalized groups whose talents and capabilities had been mismeasured by traditional psychological instruments. Gardner's theory appeared to assume a wider spectrum of human abilities that were, for some reason or another, excluded from the domain of educational psychology and the definition of intelligence. They taught multiple intelligences theory to their students in hopes of exposing and overcoming some of the ways particular students were hurt by these exclusionary disciplinary practices. As Gardner has continued to develop his theory over the last twenty years, those associated with this book grew increasingly uncomfortable with many of his assertions and many of the dimensions he excluded from his work. A few wars ago they decided it was time to undertake a comprehensive questioning of the theory and Gardner's work surrounding it. Multiple Intelligences Reconsidered is the result of that project.

Our point here is not to issue some reductionistic validation or repudiation of Gardner's work. They are more interested in raising questions about the nature of mind, self-production, intelligence, justice, power, teaching, and learning arising from a careful confrontation with his scholarship. They respect Gardner, the work he has produced, and the constructive passions he has elicited from a variety of individuals and they do not mean for such unsparing criticism to be taken as a personal attack.

Frames of Mind was received enthusiastically because it struck all the right chords:

  • Learning is culturally situated.
  • Different communities value different forms of intelligence.
  • Cognitive development is complex, not simply a linear, cause-effect process.
  • Creativity is an important dimension of intelligence.
  • Psychometrics does not measure all aspects of human ability.
  • Teaching grounded on psychometrically inspired standardized testing is often deemed irrelevant and trivial by students.

Throughout Multiple Intelligences Reconsidered, various authors explore different dimensions of this sociopolitical theme. Most of the critiques of MI emerged from more conservative analysts, arguing that theory shifted educational priorities away from development of logic, in the process producing a trivialized, touchy-feely mode of education. In Multiple Intelligences Reconsidered, the authors provide a progressive critique, maintaining that despite all its democratic promise Gardner's theory has not met the expectations of its devotees. The reasons for this failure are multidimensional and complex, as the authors of this volume delineate. One aspect of the failure comes from Gardner's inability to grasp the social, cultural, and political forces that helped shape the initial reception of MI. Even when he addresses what he describes as a ‘dis-ease’ in American society, Gardner fails to historicize the concept in a way that provides him a larger perspective on the fascinating relationship between American socio-cultural, political, and epistemological dynamics of the last two decades and MI theory.

The authors in Multiple Intelligences Reconsidered are especially concerned with the democratic and justice-related dimensions portended in Gardner's early articulation of MI. Taking their cue from the concerns of many people of color, the poor, colonized individuals, and proponents of feminist theory, they raise questions about the tacit assumptions of MI and its implications for both education and the social domain. They  raise questions about knowledge production and power in the psychological domain in general and MI in particular. Gardner seems either unable or unwilling to trace the relationship of MI to these issues. Danny Wen's chapter in Multiple Intelligences Reconsidered carefully delineates the social alienation, the absence of situatedness that Gardner so summarily dismisses from his work.

As post-formalists they deploy their power literacy to reveal MI's ideological inscriptions. In this context they examine the multiple and complex ways power operates to shape psychological descriptions of human abilities and behaviors. For example, what is labeled intelligence can never be separated from what dominant power groups designate it to be. Thus, what Gardner attributes solely to the authority of a Cartesian science always reveals the fingerprints of power. What psychologists such as Gardner designate as intelligence and aptitude always holds political and moral significance. Kathleen Nolan illustrates this ideological dynamic clearly in her chapter on linguistic intelligence. While Gardner's notion of linguistic intelligence at first glance appears to value a more equitable, suitable classroom it tacitly privileges the language of the dominant culture as superior and the language of marginalized groups as inferior.

Indeed, what post-formalists and any other cognitive theorists designate as intelligence and aptitude produces specific consequences. The important difference between post-formalism and Gardner's psychology involves post-formalists' admission of such ramifications and their subsequent efforts to shape them as democratically, inclusive; and self-consciously as possible. Gardner, concurrently, dismisses the existence of such political and moral consequences and clings to the claim of scientific neutrality.

Despite these concerns the editor and authors of Multiple Intelligences Reconsidered still believe there is value in Gardner's work. In many of the chapters authors seek the kinetic potential of Gardner's ideas in the socio-psychological and educational domain. In this context they seek to retain the original democratic optimism of Gardner's theories, confront him and his many sympathizers with powerful paradigmatic insights refined over the past twenty years, and move the conversation about MI forward with a vision of a complex, rigorous, and transformative pedagogy.

By not exploring the ways power shapes educational purpose and the knowledges validated by dominant culture, Gardner omits a huge piece of the psycho-educational puzzle and leaves students vulnerable to the sociopolitical and cultural forces that produce disinformation in the contemporary informational landscape. This is certainly not the intent of Gardner's education or a factor in shaping MI theory. Gardner's vision is truncated; his sense of the socio-historical is naive. Without substantial rethinking and reconstitution, MI theory and the schooling it informs have reached a conceptual dead end.

Chapters and authors include:

PART I: Introduction

  1. Joe L. Kincheloe – Twenty-first-Century Questions about Multiple Intelligences

PART II: The Eight Intelligences

  1. Kathleen Nolan – The Power of Language: A Critique of the Assumptio